{"id":282,"date":"2014-08-21T20:42:32","date_gmt":"2014-08-21T18:42:32","guid":{"rendered":"https:\/\/modernbodyfestival.org\/2014\/?page_id=282"},"modified":"2014-10-17T23:19:11","modified_gmt":"2014-10-17T21:19:11","slug":"rijnierse-rodrigues","status":"publish","type":"page","link":"https:\/\/modernbodyfestival.org\/2014\/rijnierse-rodrigues\/","title":{"rendered":"Mike Rijnierse &#038; Ludmila Rodrigues"},"content":{"rendered":"<h4><strong>Room K24<br \/>\n<\/strong><\/h4>\n<h6>[Site-specific installation]<\/h6>\n<p><em>created for A Modern Body Festival<\/em><\/p>\n<p><a href=\"https:\/\/modernbodyfestival.org\/2014\/wp-content\/uploads\/2014\/08\/RoomK24.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-494\" src=\"https:\/\/modernbodyfestival.org\/2014\/wp-content\/uploads\/2014\/08\/RoomK24-300x191.jpg\" alt=\"RoomK24\" width=\"750\" height=\"479\" srcset=\"https:\/\/modernbodyfestival.org\/2014\/wp-content\/uploads\/2014\/08\/RoomK24-300x191.jpg 300w, https:\/\/modernbodyfestival.org\/2014\/wp-content\/uploads\/2014\/08\/RoomK24-510x325.jpg 510w, https:\/\/modernbodyfestival.org\/2014\/wp-content\/uploads\/2014\/08\/RoomK24.jpg 1129w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n<p>PROJECT DESCRIPTION<\/p>\n<p>Reports from sensory deprivation experiences have demonstrated the appearance of hallucinogenic visions or of highly pleasant states of consciousness that are still to be assessed. In Room K24 visitors are taken through an orchestration of stimuli that are carefully composed, with aural, olfactory, tactile and proprioceptive inputs. Instead of depriving the senses, the piece invites the public to depart on an introspective journey. Inside the room, time and space have no objective reference. A series of sensations will instigate the reset the of the visitor\u2019s body. One visitor allowed at a time. Visit takes 8 minutes.<\/p>\n<p>&nbsp;<\/p>\n<p>BIOS<\/p>\n<p><span style=\"font-size: 10pt;\"><strong>Mike Rijnierse<\/strong> is an artist known for his large scale light and sound installations, where the public gets incorporated in the piece. His research is based on the interaction between media and the senses. Mike&#8217;s installations are often new instruments in which new languages are developed for acoustic and optic-acoustic observation. In his work the behavior of space, passers by, users, machines, infrastructure and so on, are interpreted as parameters. These living processes are used as musical score for his compositions.<br \/>\n<a href=\"http:\/\/www.mikerijnierse.nl\" target=\"_blank\">www.mikerijnierse.nl<\/a><\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><strong>Ludmila Rodrigues<\/strong> is an artist with a background in Architecture, creating spaces, situations and devices to <i>choreograph<\/i> the public. For 5 years, she&#8217;s been researching on the body of the audience. Through this theme she investigates ways of activating the audience, enhancing collective, playful and multi sensory experience. Sometimes working as set, costume and graphic designer, Ludmila collaborates with a number of artists and artistic initiatives in The Hague, such as Quartair and CLOUD\/Danslab. She has exhibited and performed in several occasions, such as in TodaysArt 2013, in the \u2018Winter Anti Depression Show\u2019 at Marres House for Contemporary Culture (Maastricht, 2014) and the \u2018Deepest Sense\u2019 Symposium at the Rijksmuseum (Amsterdam, 2014).<br \/>\n<a href=\"http:\/\/www.tinamustao.com\" target=\"_blank\">www.tinamustao.com<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Room K24 [Site-specific installation] created for A Modern Body Festival PROJECT DESCRIPTION Reports from sensory deprivation experiences have demonstrated the appearance of hallucinogenic visions or of highly pleasant states of consciousness that are still to be assessed. In Room K24 visitors are taken through an orchestration of stimuli that are carefully composed, with aural, olfactory, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[26,29,27,14],"class_list":["post-282","page","type-page","status-publish","hentry","tag-experiencing","tag-glitching","tag-haptic","tag-installation-3"],"_links":{"self":[{"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/pages\/282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/comments?post=282"}],"version-history":[{"count":13,"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/pages\/282\/revisions"}],"predecessor-version":[{"id":536,"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/pages\/282\/revisions\/536"}],"wp:attachment":[{"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/media?parent=282"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/tags?post=282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}