{"id":71,"date":"2014-08-18T20:00:06","date_gmt":"2014-08-18T18:00:06","guid":{"rendered":"https:\/\/modernbodyfestival.org\/2014\/?page_id=71"},"modified":"2014-10-14T13:11:37","modified_gmt":"2014-10-14T11:11:37","slug":"ellison","status":"publish","type":"page","link":"https:\/\/modernbodyfestival.org\/2014\/ellison\/","title":{"rendered":"Barbara Ellison"},"content":{"rendered":"<h4>Phantom Portraits<\/h4>\n<p>[Dynamic images]<\/p>\n<p><a href=\"https:\/\/modernbodyfestival.org\/2014\/wp-content\/uploads\/2014\/08\/BarbaraEllison_PhantomPortraits_triplet.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-305\" src=\"https:\/\/modernbodyfestival.org\/2014\/wp-content\/uploads\/2014\/08\/BarbaraEllison_PhantomPortraits_triplet-510x242.jpg\" alt=\"BarbaraEllison_PhantomPortraits_triplet\" width=\"750\" height=\"356\" srcset=\"https:\/\/modernbodyfestival.org\/2014\/wp-content\/uploads\/2014\/08\/BarbaraEllison_PhantomPortraits_triplet-510x242.jpg 510w, https:\/\/modernbodyfestival.org\/2014\/wp-content\/uploads\/2014\/08\/BarbaraEllison_PhantomPortraits_triplet-300x142.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n<div class=\"wc-shortcodes-row wc-shortcodes-item wc-shortcodes-clearfix\">\n<div class=\"wc-shortcodes-column wc-shortcodes-content wc-shortcodes-two-third wc-shortcodes-column-first \">\n<p><strong>PROJECT DESCRIPTION<br \/>\n<\/strong><\/p>\n<p>Our brains do not give a truly objective and accurate representation of the world but a human one \u2013 full of pattern recognition \u2013 sometimes real, sometimes forced. Humans naturally and regularly experience Pareidolia (the psychological phenomenon of perceiving patterns in randomness) and in way so can computers.Phantom Portraits are created from a process using software to generate generations of random polygon structures and then employing face-detectionalgorithms to scan the polygons until the computer \u201csees a face\u201d. These polygon structures are then worked with in subtle ways to heighten the illusion. From up close, they are quite abstract and blurry, but from a distance they can appear to be strangely lifelike.<\/p>\n<\/div>\n<div class=\"wc-shortcodes-column wc-shortcodes-content wc-shortcodes-one-third wc-shortcodes-column-last \">\n<p><i style=\"font-weight: inherit;\">The Imagined Body \/ The Projected Body<\/i><\/p>\n<p>Given a random pattern and incoherent data, the mind is driven to make sense of something that has none. What we perceive as real, as concrete, as finite must be re-evaluated in light of the fact that we constantly fill in what we do not know with what we already know.<\/p>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><strong>BIO<\/strong><\/p>\n<p><span style=\"font-size: 10pt;\"><strong>Barbara Ellison <\/strong>(Ireland) is a sound and visual artist living and working in The Hague. Her recent work explores a liminal world of perceptual ambiguity and our propensity and desire to detect meaningful and often illusory perceptual patterns in our environment. Her performances and projects manifest in diverse media and platforms and working practical research has brought her in recent years to the Arctic (2010), Amazon, Brazil (2011), Svaneti, Georgia (2012), Borneo (2012), Cambodia (2013), South Africa (2013), Iceland, Australia (2013) and Japan (2014). She has just submitted her PhD Research \u201cSonic Phantoms\u201d to the University of Huddersfield (UK).<\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><a href=\"http:\/\/www.barbaraellison.com\">www.barbaraellison.com<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Phantom Portraits [Dynamic images] PROJECT DESCRIPTION Our brains do not give a truly objective and accurate representation of the world but a human one \u2013 full of pattern recognition \u2013 sometimes real, sometimes forced. Humans naturally and regularly experience Pareidolia (the psychological phenomenon of perceiving patterns in randomness) and in way so can computers.Phantom Portraits [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[20,14,25],"class_list":["post-71","page","type-page","status-publish","hentry","tag-imagined","tag-installation-3","tag-projected"],"_links":{"self":[{"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/pages\/71","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/comments?post=71"}],"version-history":[{"count":12,"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/pages\/71\/revisions"}],"predecessor-version":[{"id":514,"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/pages\/71\/revisions\/514"}],"wp:attachment":[{"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/media?parent=71"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/modernbodyfestival.org\/2014\/wp-json\/wp\/v2\/tags?post=71"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}